The psi-energy surrounding him is pretty massive and causes horrible migrenia to everybody. The only one who haven't been complaining about brain issues is muscle fort lurking behind the leaders - and the reason for not having deadly ache is probably he doesn't have the organ which could be hurt by the wave of psi-energy. There's a traffic light-like collection of eyes in his head, but truly the only seeing eye is his hand - this eye sees trough dimensions and time, as well as the walls of private rooms.
Allright; here's something I invented:
I painted this dress with acrylic inks and drawing inks. I made a basecoat of Daler&Rowney FW flame red acrylic ink. The awesome thing here is, that acrylic ink covers with one coat and you can make it pretty rough. Then I made another coat with Liquitex Naphtol Crimson ink. After this I got experimental...
I took my W&N orange ink which I had kept open the past weeks, and started to make a coat over the previous inks. I had a brush which had pretty hard bristles, so my brush tore off the previous inks. But because I had orange ink in my bristles, the brush stated to make 'orange damage' to the figure instead of just revealing the white basecoat. It's like drybrushing with ink + making damage to the previous paint layers... Reverse drybrushing?
The golden parts were made with W&N gold ink, which is liquid gold leaf and irritating as hell to handle and impossible to photograph.
I painted this dress with acrylic inks and drawing inks. I made a basecoat of Daler&Rowney FW flame red acrylic ink. The awesome thing here is, that acrylic ink covers with one coat and you can make it pretty rough. Then I made another coat with Liquitex Naphtol Crimson ink. After this I got experimental...
I took my W&N orange ink which I had kept open the past weeks, and started to make a coat over the previous inks. I had a brush which had pretty hard bristles, so my brush tore off the previous inks. But because I had orange ink in my bristles, the brush stated to make 'orange damage' to the figure instead of just revealing the white basecoat. It's like drybrushing with ink + making damage to the previous paint layers... Reverse drybrushing?
The golden parts were made with W&N gold ink, which is liquid gold leaf and irritating as hell to handle and impossible to photograph.